“Create we must, and respond to this dark hour.” Makoto Fujimura
The artistic process for many can be a compulsion, striving to express an idea, a thought, a feeling bubbling up from deep inside. The expression is often not consciously mulled over before erupting into reality. How much time is spent reflecting on the purpose of the churning creative urge before releasing the explosion? What if this flow of artistic need is consciously directed in such a way as to nourish the human heart?
Even in the midst of the direst of poverty, the soul seeks beauty. Anne Ciccoline of Creator, Created, Create and leader of Creative Communion, describes her trip to Nairobi where she was taken to Kibera, the largest urban slum in Africa. Anne was captivated at the sight of a mud hut with an entrance adorned with strips of fabric and a tin can planter with a green vine growing up the side of the hut. Anne says, “…no matter how primitive or impoverished our shelter, we strive to make it beautiful.” Beauty lightens darkness as nothing else can.
The human heart longs for beauty. Our darkest hours are brightened by the simplest of beautiful sights. When there is nothing else, there is still beauty. Artists have a gift. Are we seeking to use it in a way that demonstrates gratitude for the gift? What better expression of gratitude could there be than for artists to bring the longed for beauty to the hearts of others? Creating art to nourish the soul is a noble purpose, a goal worth pursuing. And that is a beautiful thing.
Mako Fujimura talks about his painting, “Golden Sea”
Fun and amazing inventions inspired by the humble gecko and other small creatures. Nature is so amazing and always a great source of inspiration and information. Its fascinating to me to see how inventors come up with their ideas.
“Find purpose, means will follow.” Mahatma Gandhi (from The Painter’s Keys)
Do artists need to have a purpose? Many artists will say they just want to make art. Purpose doesn’t matter as long as they can make art. But is that really true? If an artist is jumping from one subject to another, one style to another, does the end product of creation mean anything to anyone? The final creation appears similar to the bouncing pattern of the pathway of a jackrabbit. The rabbit may know where he’s going, but nobody else does. What good is jackrabbit art to anyone?
Those who see art as having a higher purpose than just making pretty pictures have spent a bit of effort determining what the higher purpose is. Artist Ann Rea says on her website, “Our purpose as artists is to shift the perception, the feelings of the viewer, of the listener, the reader.” To shift perception requires a focus. A focus requires a purpose. It is up to each artist to find that purpose.
In an article for the Artist’s Network, artist Lee Hammond is writing about the “Creation of Art with a Purpose.” Hammond states, “Having a calling as an artist is a true gift.” Being an artist is a gift. Each artist determines what to do with the gift. A search of the heart will eventually turn up where the gift becomes a calling. Along with the calling comes the purpose. Once the purpose is found, the means reveals itself.
Artists can follow in the path of the bouncing jackrabbit or they can seek out the path to a higher purpose. The idea of a higher purpose is a pretty awesome goal. Artists who have followed that path are creating wonderful art. Besides, all that zigzagging around in the wake of the rabbit just brings on a headache. And who wants that?
“Serendipity is God’s way of remaining anonymous.” Author Unknown (from The Painter’s Keys)
Everyone wants to lay claim to serendipity. Search for artists and serendipity and the return is pages and pages of artists using the term “serendipity” in association with their work. A number of art galleries also go by the name “Serendipity.” Is serendipity actually present in the work of all the many artists using the name? Is all art serendipitous? Is the Hand of some entity other than human, guiding the direction of art? It likely depends on whether or not a person is open to the possibility.
One website claims to be “mapping serendipity.” The Merrriam- Webster Dictionary defines serendipity as, “luck that takes the form of finding valuable or agreeable things not sought for. If you are searching a website and one thing leads to another, is that really serendipity? The website would have to be so disorganized that finding anything would be purely by luck to make it truly serendipitous. It does sound like it has made things easier to find. But serendipity?
Many sources credit the coining of the term “serendipity” to Horace Walpole in 1742. Walpole described serendipity as a “fortuitous happenstance” or a “pleasant surprise.” Happenstances and surprises cannot be planned for. They cannot be mapped. Surprises are not found by feeding quarters into a slot machine until eventually the jackpot hits. Serendipity does not occur because a person wants it to.
Serendipity happens when least expected. The scientific world is littered with the stories of how many great discoveries happened “accidently.” The only way to plan for serendipity is to be open to chance. Max Ernst said, “All good ideas arrive by chance.” Though it sounds like the thing to do is sit out in the garden until serendipity arrives, that is not the case at all. Serendipity arrives during the busy-ness of life. Serendipity happens while art is being created, not before. It pops in unexpectedly. The only way serendipity can be facilitated is to remain open to chance. When chance flits in, grab it!! That is the essence of true Serendipity! It won’t have to be proclaimed. It will be obvious.
Ballet is so beautiful! This is a wonderful performance. Enjoy!
“It is our choices that show what we truly are far more than our abilities.” J.K. Rowling (from Skinnyartist)
What happens when the Insiders become stale and must seek new inspiration? The only option is to look outside. It has always been so and now more than ever. Insiders jump from fad to fad, novelty to novelty, always searching for the next greatest thing in art. There is no backbone or grounding to those who are constantly seeking the new and different. There are no depths to plunder. Lacking that core of inner strength for guidance, the inside must find other sources. As the traditional centers of art no longer hold the power and the purse strings they once did, art is thriving on the outside.
In an article for The Atlantic, Sarah Boxer has written about the wave of artists who do not come from the Insider Art Schools or the Insider Art World. Boxer states, “Art fairs, biographies, retrospectives and collections are springing up in the name of outsider art.” Boxer goes on to talk about the difficulty this presents for the insiders and states “There is something about outsider art that still eludes the insiders.” Insiders apparently just don’t get outsiders.
Outsiders, by the very fact that they are outsiders, choose to seek their own counsel. Not being privy to what is going on “inside” gives outsiders the freedom to work without the constraints of trying to fit in with the current fashion. Most outsiders likely don’t care what is or isn’t “in” at the moment. Outsiders follow what is in their own heart, their own vision. Outsiders are not concerned with the hearts and visions of the insiders or anybody else. Outsiders are true to themselves. While insiders don’t understand, they do their level best to bring the outsiders inside for the next latest fad. For the outsiders, the dilemma is to remain outside while going inside.
Interesting video on the business side of being an artist.