ZOOM Botanical Style Painting Workshops Open

Purple Pansies, watercolor

Registration is open for the first Two series of 3-Step Botanical Watercolor workshops that will be held in 2 hour increments over 3 weeks. The First part will cover the preliminary drawing and how to transfer the drawing to watercolor paper via tracing paper. Part 2 will focus on detailed under-drawing as the key to depth, shadow and texture. Part 3 is the finished painting in watercolor using layering or glazing techniques to achieve rich color and velvety smoothness in petals and leaves. The first series will feature sunflowers and the second will be on Pansies. Sunflowers will take place on Tuesdays and Pansies on Mondays. Two times will be available for both series. Click on the Workshop button in the side bar or go to the Workshop page. Class size will be limited to provide personal attention. I look forward to meeting new faces and seeing the art work of lots of artists out there. Please don’t hesitate to contact me with questions.

Sunflower, watercolor

Once registered class materials will be made available for download in PDF form.

Coming up soon will be a Student Gallery of work created in the workshops! Help me make a place to showcase what artists are doing in Botanical Painting

Colorful Fridays–Fruity Green

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“Are you green and growing, or ripe and rotting?” Ray Kroc (from Brainyquote)

Many painters rely on Hooker’s Green for the precise replication of the trees of the forest and the grass of the fields but its origins are with the botanical artist renowned for his fruit depictions, William Hooker (1779-1832).  Hooker began mixing colors to get the precise bluish green of apples and other fruits of a green variety.  He shared his green mixture with his contemporary, John Sell Cotman, noted watercolorist and namesake of the Cotman brand of watercolors.  Hooker’s Green has continued to be a mainstay in the paintbox of watercolorists and botanical painters to this day though oil painters enjoy its use, as well.

William Hooker was a botanical artist working for the Horticultural Society of London, when he developed his green, mixing Prussian Blue and gamboge.  Gamboge proved to be fugitive in the mix leading latter artists to prefer the substitution of Aureolin or Yellow Oxide.  For those artists who prefer to mix their own Hooker’s Green, the Prussian Blue is frequently exchanged for Phthalo Blue and mixed with Aureolin or Yellow Oxide for better similarity with the tube version.  Hooker’s Green is a transparent green making it a great choice in the layers of washes and glazes of botanical painting.

William Hooker, botanical artist of the Horticultural Society of London is frequently confused with William Jackson Hooker (1785-1865), botanist and former director of Great Britain’s famed Kew Gardens.  Though the two William Hookers were both noted in the world of botany around the same time period, they are not related.   William Jackson Hooker was a professor of botany before taking the position of director of Kew Gardens.  William Hooker, studied scientific illustration under Francis Bauer before serving as official illustrator to the Horticultural Society of London, (now the Royal Horticultural Society).

Painting fruits, trees, leaves, and grasses is a breeze when adding Hooker’s Green in some form to your palette. Hooker’s Green is the green of growing things.  Whether mixing your own or using the tube variety, today’s versions of Hooker’s Green have a better light-fastness than the original. However, when discussing the inventor of this particular paint color, be sure not to mix up your Hookers.  Not all Hookers are the same.

For more on botanical gardens and botanical painting follow these links:

 The Society of Botanical Artists

 The American Association of Botanical Artists

 The Royal Horticultural Society

Kew Gardens