“The day is coming where a single carrot, freshly observed, will set off a revolution.” Paul Cezanne (from The Painter’s Keys)
A look at another story on the sad state of the financial situations of art museums brings on more speculation as to how they have gotten into this position. Today’s story is on the Delaware Museum of Art’s potential sell off of a much-loved Winslow Homer work titled Milking Time. This news comes on top of the ongoing saga of the Detroit Institute of the Arts latest dilemma, as well as, the still unresolved downfall of the Corcoran Museum of Art and the Corcoran College of Art and Design.
DelawareOnline.com has the story on the possible Homer sale. The Detroit Free Press is stating the last offer to turn over the DIA’s art to a group of non-profits has been nixed by the creditors and the unions of the city of Detroit. NPR has an article on the hold up of the Corcoran’s hand off to the National Gallery of Art/Smithsonian organization and George Washington University. None of these articles have said much encouraging about the individual situations, but it is the NPR article that may shed a little light on how this sorry state came to be.
NPR quotes former Corcoran director David Levy as stating, “museums have to acquire more and more and more,” to stay in business. Further in the Levy quote is a reference to art students as, “scruffy kids wandering around downstairs.” Sounds like a costly fine buffet in the magnificent parlor is in progress, adding more and more scrumptious delicacies to keep the partiers happy, while the rats scurrying around in the basement are threatening to show themselves and spoil the party. Why are we even having this party and who is responsible for encouraging the rat behavior? Maybe Mr. Levy has an answer.