A last look at the beautiful fall colors until next year.
I almost missed the opportunity to post this Thank You!! for all the wonderful vets who deserve so much more.
The depth of emotion on Veteran’s Day did not really hit me until I was present at the Vietnam Memorial one past Veteran’s Day. It was a truly moving experience I have never forgotten. To my granddad, a U.S. horse soldier in France in World War I and my uncle, whose budding baseball career was halted by a shot to the leg in World War II at the Battle of the Bulge, thanks! My dad, who missed the war but served nonetheless, thanks! And to all the veterans who willingly risk their lives, thanks! We owe them all so much.
Better be without logic than without feeling. Charlotte Bronte (from The Painter’s Keys)
The purpose in art is frequently directed toward the rational, the brain. Many artists seek ways to make the meaning clear so that others may discern the intent. The purpose is for people to appreciate the art because they have grasped the meaning. They “get it!” There is a sense of justification when that understanding is communicated. But what if art is created that does not have an outward but rather an inward meaning? What if people don’t “get it” but don’t care either?
When art is focused on the rational so people, “get it” and intellect kicks in, the heart is left out in the cold. “The approach of reasoning and ‘Rational’ debate has eclipsed the ‘heart’ approach,” says Father Brad Mathias of Four Winds Anglican Mission and RoadTripParenting. Engage the brain, lose the heart in a manner of speaking. The heart eclipsed is left in darkness. Art that seeks to enlighten the thinking leaves feeling untouched. Which is more memorable, art that enlightens the brain or art that touches the heart?
The rational art of the brain is so bleak, so heartless. Brain art is without feeling, cold, untouchable, like a beautiful flower incased in glass, forever distant and separate. Why leave the heart out? Is the brain really that important? Let the heart eclipse the brain instead and who cares if people, “get it?” They’ll be “feeling it” and that’s all that matters. Rock n’ Roll!
A beautiful mist shrouded this October morning on Monteagle Mountain in Southeast Tennessee. An eerie stillness covers the landscape where only the sounds of the dripping beads of moisture on the trees can be heard. Gradually, the mist burned off and a gorgeous bright sunny fall day appeared. Many thanks to Kris Morton of Four Winds Mission, Spring Hill, TN for organizing this week end time of refreshing, rebuilding and renewal for women.
“The world is full of magic things patiently waiting for our senses to grow sharper.” William Butler Yeats (from The Painter’s Keys)
To provoke the senses is to be inspired. Without the conscious act of giving in to at least one sense little would be painted, written, performed or otherwise translated into art. Art requires that openness that comes from recognizing the role the senses play in inspiration. It is not only one sense that must be provoked in the creation of art, but all of them. And all of the senses include the most important and most elusive, the sixth sense
Can a painter paint smell or a writer write color? Suppose a person wants to provoke the feeling of a breeze blowing through the trees. Painting a few bent over trees won’t do it. Neither will writing the words, “ a breeze blowing through the trees,” provoke much. But giving those bent over trees some texture and color with paint, words or action and perhaps the senses of sight, touch, maybe hearing, could be provoked. Add some autumn leaves and smell might join the other senses. Taste could even be added to the mix if those trees happen to be apple trees. Five senses have now come into play with that blowing breeze.
But what about the sixth sense, the magic sense? How can one go from sensing taste, sight, smell, feel and hearing to actually standing one with the trees totally within the blowing breeze. The only way the magical sixth sense can be provoked is to let go of the effort. The sixth sense comes from feeling the magic. The magic comes from within. To become one with that breeze is to go within and patiently sharpen the sense of magic, to be in that moment. Artist and breeze are one.
All very easy for me to say but doing is another thing entirely. In the meantime, I think I will go out and sit under a tree for a while. Maybe if I sit long enough, the magic will happen. Maybe I will begin to grow roots. Maybe birds will nest in my hair. Maybe leaves will sprout from my fingers. Maybe I sit long enough to get arrested for loitering. I wonder what the judge will do when I say I was sharpening my senses by becoming one with the breeze? Maybe someone will come bail me out of the slammer.
“If I could say it in words there would be no reason to paint.” Edward Hopper (from Artpromotivate.com)
An eagle in flight, the newly opened bud of a spring flower, the crashing waves on a white sandy beach are sights that can momentarily take the breath away. For many artists the feeling cannot be put into words. Only paint can express the depth of emotion attached to magnificent sights in our world. But there are times when frustration can set in over the difficulty of expressing that emotion followed by feelings of failure. Why is it not happening?
Perhaps the beauty seems more than mere mortals can express. The great C.S. Lewis said, “We do not want to see merely beauty…we want something else which can hardly be put into words- to be united with the beauty we see, to pass into it, to receive it into ourselves, to bathe in it, to become part of it.” Father Shane Tucker of Four Winds Anglican Mission and ArtistSoulfriend.com spoke of this quote and encouraged artists to search for those places that inspire awe and to breathe them in. Father Shane suggests getting still and thinking of when one has last seen awe.
Taking time to be in that place of awe, to breathe it in, absorb it, dwell in it then turn back to canvas and paint with fresh feelings intact can break the logjam of frustration. Getting out of the way of feelings when they are trying to express themselves may be just the ticket. Letting go of control takes the physical act of shaking out arms and hands. It takes a conscious act to let the unconscious take over. So start shaking, breathe deep and get out of the way. The logs are breaking!
“Beauty is whatever gives joy.” Hugh Nibley (from The Painter’s Keys)
Suppose your goal is to create “beautiful” art. The first thing you might set out to do is define, “beautiful.” Good luck with that! Volumes have been written about what is and isn’t beautiful. The subject was examined in a movie documentary starring Mathew Collings, titled “What is Beauty?” The Stanford Encyclopedia of Philosophy has a mind bogglingly in-depth article on the definition of Beauty. Even the dictionary has multiple definitions of beauty. What’s an artist to do?
The first step may be to go back to the beginning and take a look at why you create art in the first place. Was the original purpose to create something “beautiful” or something that will be enjoyed by others. There is a big difference. As the exact definition of beauty is likely near impossible to pin down, while giving pleasure to others is not. Therefore, a better goal might be to define how art gives pleasure to others and set out to pursue that direction.
Now that the goal is in mind to determine how to make pleasurable art, you take a look at what you have and discover one person finds pleasure in one style and another person prefers a different style. Uh Oh! What now?? You could just throw in the towel and give up. Or you could follow your own heart, create what you find pleasurable and let the chips fall where they may. Some of those chips just may fall on a few likeminded folks.